Thursday, April 30, 2015

Easy Way To Keep Oil Paint From Drying Out

I finally did it! I made a studio tip video! Ok, it's not the best, but after several hours of technical difficulties, garbled lines, me repeating myself, and editing out all the weird faces that I apparently make.....I'm calling this video done!

Keeping Oil Paint From Drying Out On The Palette

First off, kudos to everyone who has ever made a YouTube tutorial video. It is not easy. Talking to yourself is one thing, videoing yourself talking to yourself is completely another. My goal was to have this done by lunch. Nope. Even this edited version is not my favorite, but sometimes you have to go with what you got. And, watch till the end, I left a little "blooper" in!

In the video I explain how I cover my palette between painting sessions. I made a picture frame to fit over the palette, but you could use other things, such as a baking sheet. I would still use the weather striping to help seal the bottom edge, and if the baking sheet was light weight, put something heavy on top (the frame I made is plenty heavy enough).

Different paints have different drying rates. I use Windsor and Newton oils. Because oils dry by oxidation, contact with air and the ambient room temperature will effect drying rates. In a relative cool room (around 65 degrees F), this is how long you could expect to keep paints open and workable with clove oil and the palette covered:

  • Flake White                     -    2 to 3 weeks
  • Titanium White                 -    4 months or more
  • Windsor Yellow               -    3 weeks
  • Cadmium Yellow Light     -    4 to 8 weeks
  • Yellow Ocher                   -   2 months or more
  • Cadmium Red                  -    3 weeks
  • Alizarin Crimson               -    2 to 3 weeks
  • Dioxazine Purple              -    4 months or more
  • French Ultramarine Blue   -    4 months or more
  • Cerulean Blue                   -    4 months or more
  • Burnt Umber                     -    Less than 18 hours
  • Ivory Black                       -    2 to 3 weeks
At the end of the video, I show how you can save your paints on a piece of glass sealed in an airtight container with the clove oil.   I didn't show what I really use in this case.  I have a tiny tabletop refrigerator that used to work, which was awesome. Keeping oil paints cold extends their drying times. Unfortunately, the electrical failed, so I just use it as an airtight container.

Some people place their palettes in their home refrigerators, alongside with their food. I don't care how sealed it is, I don't want my palette with lead and cadmium anywhere near my food. On rare occasions, I have placed my palette outside in the winter. It works amazingly well.

Now when I'm working,
Example of my pre-mixed palette

I've noticed that these pre-mixed strings dry faster than an unmixed pile of paint. Especially if I used Flake White or Burnt Umber at all in the mixes. If I need to save pre-mixed strings any longer than overnight, I'll use my tiny broken refrigerator as it seals fairly air tight.   

If you have any questions or comments, feel free to E-Mail me. I'm trying my best to explain things clearly, but if I have failed, I'll do my best to clarify!




Tuesday, April 28, 2015

Newest Painting, Quiet Reserve

This one took me a little longer than expected. But, I always tell myself, "better do it right than fast". I started out the idea of wearing some sort of armor, but not full on battle armor. I wanted something a bit more subtle. I searched around looking for the right thing, but couldn't find what I was looking for. Than it hit me, why not make it myself?

Arm Cuff

I created the cuff out of a soup can, felt and polymer clay. I love how humble materials can make really cool stuff. The polymer clay was painted with a special paint that has bits of metal suspended in it. That way you can put an authentic patina on the finish. It looks like sunken treasure!

I made the hair comb to match:
Polymer Clay Hair Comb, $35 USD

I am offering the hair comb for sale. I plan on making a lot of the props for upcoming paintings and offering some for sale. The price includes the display frame, and the comb can be removed to wear. It is sealed with a clear finish.  All sales will be invoiced through PayPal and shipping will be calculated. E-mail me if you are interested. 

I would have loved to offer the cuff for sale too, but it turned out way too fragile. I broke it 5 times before the photo shoot. Luckily, I was able to repair the breaks so they don't show, but I know it would not take shipping well. Live and learn!

So now for the finished painting:

Quiet Reserve

It was a little less weird painting a self portrait this time. I think along the way I try to forget it is me.

There is a lot of meaning in this one. I don't want to give too much away, but in this painting I am turning away from the light, pausing a moment while seeming to come to terms with what is in front of me. Although turning away, I am taking a step forward into the light, not backing away from the challenge that I face. 

I think I have said it before, but I love painting white! The dress was tough to get right, but I love the myriad of colors that are needed for a white object to "read" correctly. I have a white peony sprouting in my garden. Last year it had only one blossom, and I couldn't bring myself to cut it. I hope this year I have a few so I can at least paint a still life with one!